Category: Film
Genre: Action / Superhero / Comic Adaptation
Directed By: Christopher Nolan
Running Time: 152 min.
The Dark Knight has raised the bar on comic inspired films, and films in general for that matter. I came to this film with some rather high expectations on the heels of the successful franchise reboot in Batman Begins. I am pleased to say those expectations were met and exceeded.
The core strength of this film is that all the action and development is character driven; all things come from and speak to the motivations of a wonderfully fleshed out roster of players. The big question mark on everyone’s mind was no doubt the late Heath Ledgers’ portrayal of the Joker, with memories of Jack Nicholson, Mark Hamil (animated) and Caesar Romero defining the character’s screen presence to date. Ledger’s performance is nothing short of masterful, and Nolan’s’ writing and directing breath life into the most organic and complex clown prince thus far. Personally, I forgot there was an actor playing the Joker, for all appearances this creature lived and breathed on the screen. We see a true sociopath, brilliant in his way, asking some disturbingly valid questions, and making astute observations on the nature of his relation to Gotham and the Dark Knight.
The treatment of Batman’s character was novel in it’s own right, exploring his role in the crime equation, delving into scales of perception and persona. Building on Bruce Wayne’s motivations and the limits of the hero persona flesh out both Wayne and Batman in new dimensions. We see him fundamentally torn in what he feels Gotham needs and deserves, an undercurrent of disquiet that reminded me of elements of Bale’s performance in Equilibrium.
Aaron Eckhart as Harvey Dent/Two Face is believable and exudes a humanizing element that fits well with the overall tone of the film. The motivations and roots of his transformation into Two-Face develop organically, and play a shadowy mirror to the Batman/Wayne development. The supporting cast continue to impress, with Maggie Gyllehall’s replacement of Katie Holmes as Rachel Dawes pays dividends. Gyllenhall is far more believable as an adult character, rather than giving the impression of someone playing at working in teh DA’s office. Gary Oldman once again embodies Jim Gordon as if he’d been pulled directly from Frank Miller’s pages; centering the film and playing with a keen awareness to the hero/villain dynamic and the public’s perception thereof. Morgan Freeman reprises his role as Lucious Fox, and lends a feeling of soul and the necessary legitimacy to Wayne Corp, as well as believability to the technology of the film. Michael Caine returns as Alfred Pennyworth, stubbornly keeping the human element in what threatens to become more monster than hero.
As I mentioned, the writing is tremendous, and the pacing is unrelenting; there is no slowdown as the film grows from one facet to another. Visually, the film is spot on, with a heightened realism and gravity that lends credibility and grit to the characters and the action. The feel of Gotham is a you-are-here visceral experience, and the organic feel continues into the look and feel of the characters, making for even greater believability.
All said, The Dark Knight gets it right on all fronts, and shows just want can be done with a graphic property when treated with the proper care and talent.
Rating: 9/10
